Joe in the classroom, playing the piano
Mise en scene: Students are dispersed and uninterested, and the classroom is dark. Joe’s routine and unfulfilled life are reflected in the cluttered surroundings and dreary lighting.
Cinematic language: As Joe begins to play, the lighting gradually gets brighter and the camera gradually shifts from medium shot to close-up. This graphic illustrates how music is the only thing that makes him feel alive.
Joe falls into the manhole and enters “The Great Before”
The soul world is full of vivid blue tones, delicate glowing edges, and simple shapes, whereas the real world is subdued and realistic.
Cinematic language: The fall seems chaotic and unreal due to quick cuts and smooth transitions. Joe’s disorientation and loss of control are highlighted by the changing camera angles.
22 experiences life
Street colors, soft textures, warm natural lighting, and close-up details are all examples of mise-en-scene. The setting is welcoming and full of little pleasures.
The language of cinema: Close-ups and slow motion accentuate small sensory experiences. The idea that living is about feeling rather than achieving is emphasized by the background city noise, which is louder than the music.